Check out the photos below, watch the video of the process, and visit our WEBSITE to see more.

Introducing the Shwood for Atlantic Records Collection. Two versions of our classic Canby shape, both integrating genuine Atlantic vinyl records for a look as effortless as the music it embodies.

See more at: https://www.shwoodshop.com/us/collections/atlantic and check out the photos below.

See some sample photos below and check out Sarah’s full photo essay HERE.

See some sample photos below and check out Kelly & Brendan’s full photo essay HERE.

Select model is limited to 250 pieces. Don’t miss your chance to be a part of the game.

See more from the collection.

The Shwood for Louisville Slugger Canby Select.

The Shwood for Louisville Slugger Canby Select features a “Hornsby” inspired stain & paint-dipped temples.

The Shwood for Louisville Slugger Canby Original.

The Shwood for Louisville Slugger Canby Original features a treatment inspired by pine-tarred bats.

The Shwood for Louisville Slugger Canby Acetate.

The Shwood for Louisville Slugger Canby Acetate features would inlays inspired by pine-tarred bats.

He uses the glass as a container for light and space, with each piece being unique and unexpected as there is no real way to tell how the gases will coalesce as they work their way around the glass housing. The gases even react to your body’s electromagnetic field and flicker and change as you move close to them.

See the photos below for examples of Eric’s work and follow the links at the bottom for more information.

Visit Eric’s portfolio site, or watch this Discovery Channel feature to find out more about his work.

Our founder and designer, Eric Singer, teamed up with Joe Blecha (who formerly has shaped boards for Burton) to lead a few friends in making snowboards 2 winters ago and learned a lot about the process. This past winter, with an even larger crew, they put the knowledge gained from the first experiment to the test.

The first stage of the process involved everyone sitting down together to design their custom topsheet. We worked in Adobe Illustrator to set up the file for the laser engraver. At this point we also placed the order for materials, enough to make six boards total.

Once the raw lumber arrived, we set to work on the table saw cutting down the bamboo and poplar into strips that would later but joined together to create the cores of the boards. The slats were then milled down to a consistent and specific thickness. Bamboo was placed at the center and edges of the core due to its water resistance, rigidity, and flex. Poplar placed in between the bamboo reduced the weight while maintaining strength and pop.

Wax paper was used to prevent the glue from sticking to the clamp and press system. We stepped up our game this time around on the pressing portion of the process after having less than stellar results previously when driving a car on top of the press to provide the necessary pressure.

Once the cores were glued together, they were sanded down and fitted with hardware. The topsheet designs were applied and covered in fiberglass and resin to seal everything together. At this point they were vacuum-sealed and pressed.

Once pressed the boards were cut to their final shape, they were sanded to a clean edge and coated in walnut oil to bring out the natural wood color. Four coats of marine boat deck finish were applied to the top and sidewalls to provide a clean, waterproof seal.

Finally, after a long and intricate process, we were ready to hit the hill. The crew made their way up to Mt. Hood Meadows for a little late season shred.